tag:blogger.com,1999:blog-79670894336546329972011-07-30T19:55:21.551-07:00James Lourienoreply@blogger.comBlogger11100tag:blogger.com,1999:blog-7967089433654632997.post-76566393843813142902009-08-04T12:38:00.000-07:002010-11-09T05:19:34.152-08:00x<br /><br />27. <a href="http://www.kengreenleaf.com/frame_of_mind.pdf">Frame of Mind</a> by Melinda Boyd Parsons<br /><br />26. <a href="http://brenthallard.wordpress.com/2010/09/27/paul-pagk/">Between Heaven and Earth</a> by Brent Hallard<br /><br />25. About Suzan Frecon<br /> <a href="http://www.nyfa.org/level4.asp?id=119&fid=1&sid=51&tid=167">Interview One</a><br /> <a href="http://www.brooklynrail.org/2005/11/art/suzan-frecon-with-john-yau">Interview Two</a><br /><br />24. Roberta Smith: <br /> <a href=" http://nyti.ms/dnroVh"> Dan Colen: ‘Poetry’</a><br /> <a href="http://nyti.ms/bL3hsV">Chapter in Abstract Art</a> <br /> <br />23. <span style="font-weight:bold;"><a href="http://www.prospectmagazine.co.uk/2010/05/the-dustbin-of-art-history/">The Dustbin of Art History</a></span><br /><br />22.<a href="http://www.nytimes.com/2010/07/16/arts/design/16matisse.html">Matisse: Carving with Color</a> by Roberta Smith<br /><br /><span style="font-weight:bold;">21. <a href="http://www.newsweek.com/2010/07/10/the-creativity-crisis.html">The Creativity Crisis</a></span> by Po Bronson and Ashley Merryman<br /><br /><span style="font-weight:bold;">20. <a href="http://www.nytimes.com/2010/06/25/arts/design/25burchfield.html">Nature, Up Close and Personal: Burchfield</a> by Holland Cotter<br /></span><br /><span style="font-weight:bold;">19. <a href="http://www.conversations.org/story.php?sid=15">Toward the Intelligence of Life</a></span> by Jane Rosen<br /><br /><span style="font-weight:bold;">18. <a href="http://newyork.timeout.com/articles/art/84161/marlene-dumas-against-the-wall-at-david-zwirner-art-review">Marlene Dumas</a></span> by Howard Halle<br /><br /><span style="font-weight:bold;">17.</span> <a href="http://bombsite.com/issues/107/articles/3262"><span style="font-weight:bold;">Jacqueline Humphries</span></a> by Cecily Brown<br /><br /><span style="font-weight:bold;">16.</span> <a href="http://www.nytimes.com/2010/04/05/arts/design/05rothko.html?scp=4&sq=roberta%20smith&st=cse"><span style="font-weight:bold;">What’s True in Art Studios and Onstage</span></a> by Roberta Smith<br /><br /><span style="font-weight:bold;">15.</span> <a href="http://www.nytimes.com/2010/03/18/arts/artsspecial/18PHILIPPE.html?scp=1&sq=de+montebello&st=nyt"><span style="font-weight:bold;">A Conversation With Philippe de Montebello</span></a><br /><br /><span style="font-weight:bold;">14. <a href="http://www.nytimes.com/2010/03/28/arts/design/28painting.html">It's Not Dry Yet</a></span> by Roberta Smith<br /><br /><span style="font-weight:bold;">13.</span> <a href="http://www.twocoatsofpaint.com/2010/02/2010-whitney-biennial-biopsy.html"><span style="font-weight:bold;">A 2010 Whitney Biennial biopsy</span></a> by Sharon Butler<br /><br /><span style="font-weight:bold;">12.</span> <a href="http://www.nytimes.com/2010/02/14/arts/design/14curators.html"><span style="font-weight:bold;">Post-Minimal to The Max</span></a> by Roberta Smith<br /><br /><span style="font-weight:bold;">11. <a href="http://brooklynrail.org/2009/11/artseen/elizabeth-murray">Elizabeth Murray</a></span><br /><br /><span style="font-weight:bold;">10.</span> <a href="http://artvent.blogspot.com/2008/03/random-quotes-from-information-about.html"><span style="font-weight:bold;">Art Double Speak</span></a><br /><br /><span style="font-weight:bold;">9. <a href="http://www.brooklynrail.org/2009/04/art/in-conversation-roberta-smith-with-irving-sandler">Conversation with Roberta Smith</a><br /><br /><span style="font-weight:bold;">8. <a href="http://www.nytimes.com/2006/01/08/magazine/08leipzig.html">The New Leipzig School</a></span><br /><br /><span style="font-weight:bold;">7. <span style="font-weight:bold;"><a href="http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2009/oct/26/damien-hirst-modern-art">What is Damien Hirst Really Up To?</a></span><br /><br /><span style="font-weight:bold;">6. <a href="http://www.nytimes.com/2009/10/16/opinion/16dutton.html?_r=1&emc=eta1&pagewanted=print"><span style="font-weight:bold;">Has Conceptual Art Jumped the Shark Tank?</span></a><br /><br /><span style="font-weight:bold;">5. <a href="http://www.nytimes.com/2009/08/03/arts/design/03abroad.html?_r=1&em">At Louvre, Many Stop to Snap but Few Stay to Focus</a><br /><br />4. <a href="http://www.nytimes.com/2009/05/22/arts/design/22baco.html?_r=1&scp=10&sq=roberta%20smith&st=cse">Francis Bacon at the Met</a><br /><br />3. <a href="http://www.artinfluence.com/whyartmatters.html">Why Art Matters</a></span><br /><br />2. <a href="http://www.nytimes.com/2009/09/13/arts/design/13cott.html?hp">New Season of Art in NYC 2009-2010</a><br /><br />1. <a href="http://www.nytimes.com/2009/09/11/arts/design/11monet.html?sq=roberta%20smith&st=cse&scp=2&pagewanted=print">Serenade in Blue:Monet's Waterlilies</a></span></span></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7967089433654632997-7656639384381314290?l=fineartarticles.blogspot.com' alt='' /></div>James Lourienoreply@blogger.com